Showing posts with label Power Pop albums. Show all posts
Showing posts with label Power Pop albums. Show all posts

Tuesday, 12 May 2026

The Solid and the Hollow - Album Review by Power Popaholic..


"There are lots of great moments within the songs that evoke a mood akin to a bright summer day"

Robyn Gibson (lead guitar, vocals) says it best, “… it became a kind of nostalgia trip,” and the band’s fifth album keeps those stylistic touches that recall The Beatles, The Association, and The Free Design. “Oneless” is a subtle opener, with Gibson’s gentle vocal leading the way. It’s the template for most of the songs to follow, with the exceptions being the driving bass line lead on the psyche-pop of “When She Turns” and spacey synths on “Fishes.”

There are lots of great moments within the songs that evoke a mood akin to a bright summer day. “She Makes The Sun Shine” is especially buoyant with a rhythm line akin to The Beatles’ “Rain.” “Meadow Song” has a wonderful mix of keys, guitars, and layered sounds, and slowly builds into something great. “Swan” is another breezy melody that wallows in the dreamlike atmosphere, with subtleties in the harmonies that audiophiles will appreciate. If you fell in love with this band from their super catchy ‘Euphonious Trolley’ EP, this album is its spiritual cousin. Highly Recommended.

Thursday, 17 October 2024

THE JUNIPERS on PURE POP RADIO with ALAN HABER...

 



Red Bouquet Fair.

Summer's all the sweeter with this charming collection from the Leicester, UK band in the mix. Recalling the sweet sunshine pop sound of the 1960s and 1970s in such lovely songs as 'Summer Queen' and 'Like a Merry Go Round'. Red Bouquet Fair is no less than the audio equivalent of smiling at your good fortune on a warm day in the park while sipping cool lemonade. 

The vocals are enchanting and the instrumentation is perfectly played. By Alan Haber.

Read the full article Here!

Wednesday, 25 September 2024

CUT YOUR KEY ALBUM REVIEW in THE WORD MAGAZINE...

 

Radio 4 have been running a series of programs this year re-evaluating 1968; I bet The Junipers haven't missed many. In the world of these Leicester cosmic pop sprites, The Notorious Byrd Brothers is forever spinning on the gramophone and the studes are in a state of perpetual forment. If only The Junipers themselves were similarly formented. The nearest they come to dreaded modernity is Sheena which draws its inspiration from noted envelope pushers The La's. Elsewhere, the likes of Gordie Can't Swim and Mortimer Snerd push fearlessly forth into a place where Maxwell's Silver Hammer still clangs away joyously.
 

Monday, 23 September 2024

ALBUM REVIEW ON POWER POPAHOLIC BLOG..

 The Junipers “Imaginary Friends”

The Junipers, a band from Leicester, combine psychedelic pop, mid-1960s bubblegum music, and a touch of folk on their most recent album, Imaginary Friends. Starting with “The Swarthy Smith,” a piano-driven melody that veers into bouncy wordless guitar chorus full of “oohs” and “ahhs,” as the sweet “You’re My Sugar and Spice” echoes the Toytown era of pop. “She Looked Up At The Stars” is another gem led by the ever-present mellotron.

The short “Annie Almond” is beautiful example of psych-pop, similar to the singles on Euphonious Trolley EP and “Mary in the Rain” has a McCartney-styled bass line that will stick in your head. The folk-inspired mellow feel of “Red Song” sets it apart, while the groovy, carnival whimsy of “Monkey On My Back” has organ sounds recalling “Being for the Benefit of Mr. Kite!” While not as immediate as I expected, after repeat plays you notice those subtle sonic details that are hidden just below the surface. Highly Recommended.




Wednesday, 4 September 2024

NEW ALBUM REVIEW IN POPGRUPPEN...

The Junipers are back



That’s right – the Junipers are back – and that is cause for celebration!

Even though it has been 8 years since their previous album, Imaginary Friends feels like a direct continuation. This makes a lot of sense as their music exists in a time slip wedged between reality and imagination, where songs like ‘Flight From Ashiya’ by Kaleidoscope and ‘Some Other Someday’ by the West Coast Consortium are forever playing on an old portable radio. The Junipers nailed the formula already from the get go with 2008 album Cut Your Key and have stuck to it ever since: sun-drenched, softly introspective psychedelic pop of the highest order, built on great melodies and tasteful arrangements.

And it seems we have that debut to thank for this new album, as members Joe Wiltshire and Robyn Gibson set out to re-record it in 2023, since they did not have ownership of the original and couldn’t reissue it. However, it seems a deal with the original record label was struck, a remixed digital deluxe edition was released and attention was instead turned to new material.

And judging from the sheer quality of every track on this album, a lot of material seems to have been piling up over the inactive years. So far three digital singles have been issued, but in all honesty, every track here is a winner.

While not (yet) a single, the album starts with the slightly dreamy yet catchy ‘Swarthy Smith’ that ends with a backwards organ organically leading into upbeat love song ‘You’re My Sugar and Spice’. Starting with the lyric “You’re my sugar and spice / you’re looking very nice / I will sing a song of love” it has a summery feel that just spreads warmth all over. At this point, one might fear that they have front loaded the album, but that is when the single cuts kick in. ‘She Looked Up At the Stars’ is built around a repeating organ figure firmly rooted in the late 60s and ends on a psychedelic swirl. It is followed by another irresistible single cut, ‘Annie Almond’ about a girl who “breaks hearts every time”. Sweet but never sugary.


In the years since previous album Red Bouquet Fair, Robyn Gibson has released a series of albums with covers of favourite tracks as Bob of the Pops, and some of that experience certainly has rubbed off here. There is an incredible attention to every little detail, the songs never overstay their welcome. And while there are some psychedelic effects and playful overdubs, they are used sparingly – such as the backwards voice leads on ‘While You Preside’, which, by the way, is the first track with guitar to the fore. A piano then drives the melody on ‘Mary in the Rain’, highlighting a sequencing that thoughtfully provides sonic variation. On the introspective ‘Monkey On My Back’ we get beautifully multitracked vocals and understated mellotron, whereas ‘I’ve Been In Your Shoes’ even edges towards doo wop but without a hint of pastiche.

With title track and single cut ‘My Imaginary Friend’ we are back on firm pop ground and ‘Red Song’ adds an autumnal touch before the album ends with the perfectly formed pop ditty ‘Hollow Sky’.

I have never before referenced every single track in a review of an album, which says something about the quality control here. For over half a century, bands have taken inspiration from the late 60s, but only few manage something more substantial than a homage. Now here is an album that is fully transparent with its many influences, yet manages to stand proudly with them.

BUY THE ALBUM HERE!!

READ FULL REVIEW ON POPGRUPPEN HERE!!


Meadow Song - Single Review by The Reconnoiter..

A peaceful meadow-like inner space that initially feels like refuge from pressure and pain.  Over time, the person realizes this calm place ...